Bear McCreary in his blog, goes into detail about how the music score for Maelstrom evolved.
Bear wrote:
Knowing what was to come, I blasted through the scores for A Day in the Life and Dirty Hands as fast as I possibly could. I even scored next week's The Son Also Rises in advance. Doing each of those episodes in four to five days was tough, but it cleared my schedule so that I had a full two weeks to do Maelstrom . This was a genuine luxury. The last time I had fourteen days to score a show was for the season premiere! Writing the score for this episode was rewarding, but incredibly emotionally draining....
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